How to Understand Subjectivity in Photography Choices

BW OR COLOR

Posted October 2020
This article has been posted for some years now, but the examples in the original version were not good enough. These are from a trip to Stockholm in 2017.
On a color image, there can be colors that are disharmonic or there can be many small spots with assorted colors that can act confusing. My favorite color is warm green – the color beech leaves have. With some examples I will give you, my opinion. There are no laws about this question. It’s all a matter of taste.

Colorful rainbow mural enhances the cave-like ceiling of a vibrant subway station, where people walk along a gleaming platform.
Reflections of a boat's hull dance on the water's surface, intertwined with mooring lines in an abstract pattern.
Assorted decorative pottery and ceramic vases with colorful floral and traditional designs displayed on a green surface.
Innovative art display of abstract mannequins clad in unique textures, set in a modern gallery hall with a lone visitor.
A vibrant autumn leaf hangs on a bare branch against a blurred brown and gray urban background, capturing fall essence.

For me it is color here. The atmosphere in the images will be lost converted to BW. Maybe the one with the dresses, but I like it better in color.

Black and white image of long shadows cast on a textured cobblestone path under bright sunlight, creating dramatic lines.

I find that it is only BW that works here. The image is about a graphic effect and lines. And by the way there were almost no colors in the image itself.

Interior view of a circular library with books lining the shelves, a large ceiling light, and visitors browsing the collection.
A majestic circular library with towering shelves full of books and a grand, domed ceiling creates an awe-inspiring atmosphere.
Woman stands in a beam of sunlight on a city street, attentively looking at her smartphone. Wearing a scarf and jacket.
A woman stands in sunlight by a corner, intently focused on her mobile phone. She's wearing a leather jacket and scarf.

With both these two images I prefer color. The one from the public library in Stockholm is flat and not working well in BW. The lower one with the young woman standing smoking in a narrow band of light. The BW copy also works here, but the color one is better.

A man in a hoodie rests on a bench in a busy station, with people in the background, creating a peaceful contrast.
Man in blue hoodie sleeping on a bench in a bustling waiting area, surrounded by people and bags in the background.
Child in a winter jacket explores vintage typewriters at an outdoor market, surrounded by wrapped posters and items.
Child in winter clothing exploring vintage typewriters at an outdoor market, surrounded by colorful boxes and signs.
Black and white photo of people sitting on benches at a busy transit station, with a couple smiling at each other.
People seated on wooden benches in a busy waiting area, engaged in conversations and using their phones.

With these three images I prefer BW. They are typical street photography I am not saying that street and color does not work, but I am a very old man used to BW in the previous century.

The blue shirt of the sleeping man is to dominant and distracts me.
The boy sees for the first time in his life a typewriter, and especially the red color takes away attention from the message.
The young couple at the bottom are so in love. The different and disharmonic colors confuse me – therefore BW.

A person in a hoodie checks their phone while smoking near a trash can on a quiet, sunlit city street surrounded by buildings.
Black and white photo of a person exhaling vapor next to a street trash can, smartphone in hand, on a city sidewalk.
People explore a lively outdoor market, dressed in warm winter clothing, as they look at various goods and items.
A vintage market scene shows three people browsing items. One wears a hat and cape, adding charm to the lively atmosphere.

Both versions work for me in these two images. Maybe it is because they are monochromatic apart from the man with the red shirt on.

To Understand Subjectivity in Photography Choices

Photography is an art form that transcends the mere act of taking pictures. Each click of the shutter captures more than just an image; it encapsulates emotions, perspectives, and personal choices. For photography enthusiasts, understanding the subjectivity in photography choices is crucial for honing their craft and developing their unique style.

Subjectivity in photography refers to the personal interpretations and decisions that photographers make when capturing images. These choices can include everything from the angle and composition to the subject matter and post-processing techniques. Recognizing that photography is not just about technical skills, but also about individual vision and emotional expression, can elevate your photography to new heights. 

Every photographer sees the world differently. One might be drawn to the vibrant colors of a bustling market, while another may find beauty in the stark monochrome of an abandoned building. Understanding your own perspective is vital. Ask yourself what excites you about a scene — is it the way light falls on a subject or perhaps the emotions it evokes? Embrace your unique viewpoint to create photographs that resonate with your personal style.

Composition is a cornerstone of photography that showcases your subjectivity. Techniques like the rule of thirds, leading lines, and framing are simply guidelines, not strict rules. An image might benefit from an unconventional composition that breaks these norms. Experiment with angles, focal lengths, and even cropping to see how these changes impact the emotional delivery of your photo. Allow your intuition to guide your framing choices, whether you’re working with landscapes, portraits, or street photography.

 

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